Brian Collier, assistant professor of fine arts/art, this spring wrote an article about his new project for the BTV Conservation Newsletter. The piece, headlined “Unlawning America: A call to Inaction,” posted on the newsletter blog May 1, expounds on his earlier work -- in October 2017 Brian launched a new art and ecology project titled “Unlawning America” at Burlington City Arts and Shelburne Farms. The project is designed to encourage anyone who owns or manages greenspace to combat some of our environmental problems with a simple strategy: “Don’t mow lawns that aren’t used for recreation space. Through intentional inaction, we can have a tangible, and highly visible, positive environmental impact.”
(posted June 2018)
Brian Collier, associate professor of art and an ecological artist, in November was an invited panelist at Burlington City Arts on the Church Street Marketplace. The panel discussion that Brian joined followed the screening of a free short film titled A Drop of Life: Water Quality and the Environment, sponsored by the American Society of Landscape Architects—Vermont Chapter, Doug Crowell Lecture Series. The entire event was a chance for discussion about opportunities to collaborate on Vermont’s requirement to address the water quality of Lake Champlain and other water bodies around the state. The film is a story about two women, a village teacher in rural India and an African American corporate executive, whose disparate lives intersect when they are both confronted with lack of access to clean drinking water. Panelists joining Brian were Eric Roy, assistant professor, Nutrient Cycling & Ecological Design Lab, University of Vermont; Becky Tharp, water quality manager, Watershed Consulting Associates, LLC; Perry Thomas, lakes and ponds program manager, Vermont Department of Environmental Conservation; and moderator Adam Portz, landscape architect, SE Group. Brian also was offering a public lecture at Burlington City Arts on November 30 from 6 p.m. to 7 p.m., talking about his new project "Unlawning America." (on October 25 at Shelburne Farms, Brian presented “Unlawning America: A Call to Inaction.” His project demonstrates the positive environmental impact on water, soil, and wildlife when lawns are allowed to grow with little or no maintenance. It ran through the end of October there). Brian and Kristin Dykstra, also of the Saint Michael’s faculty, organized one of the semester’s major art events, the exhibition "El Yuma -- Contemporary Cuban Art," with a well-attended lecture/opening reception on campus on October 19 in the McCarthy Gallery. This exhibition was to be in the McCarthy Arts Center Art Gallery through December 15. Curated by Sachie Hernandez and A.D. Guerra, this is an exhibition by contemporary Cuban artists examining images, histories and fantasies about the United States. “El Yuma” is a term used in Cuba to describe foreigners, especially Americans, and sometimes it refers to the United States itself. Hernandez spoke in a Cheray lecture hall about the exhibition before the McCarthy opening reception, highlighting her desire for visual art to be part of “a more transparent, dynamic and respectful exchange between the peoples of Cuba and the United States.” Both events were funded by The Marc and Dana vanderHeyden Endowment in the Fine Arts. The Burlington weekly paper Seven Days this week had a substantial review of both shows with ample mention of Brian's work.
(posted December 2017)
Brian Collier associate professor of fine arts/art, was invited to be the Visiting Artist at Vermont Studio Center’s for Vermont Artist Week in recent months. Brian gave an artist talk and doing studio visits with the artist residents. The Vermont Studio Center’s website gave details: “Artist, educator and re-naturalist Brian D Collier's interdisciplinary projects manifest as sanctioned and unsanctioned public projects, exhibitions and multi-media presentations. He has exhibited widely in the U.S. and abroad. Collier is an Associate Professor of Art at Saint Michael’s College in Colchester, VT where he teaches sculpture, digital art and ecological art.”
(posted June 2017)
Brian Collier, associate professor of art, this fall was showing work at the National Center for Atmospheric Research, Art-Science Gallery in Boulder. CO. The group exhibition features a series of projects Brian has done in Boulder over the years and is part of the History of Art in Boulder, CO Project. The show runs from Sept. 29, 2016 - Jan. 6, 2017.
(posted November 2016)
Brian Collier,associate professor of art, whose work was at the Shelburne Museum recently as part of the “Eyes on the Land” exhibition, was mentioned in a review of the exhibition in Seven Days, and he and his project were the exclusive focus of an article “Wisdom found Staring at Pine Island Goats,” by Jess Wisloski the Essex Reporter. He also presented work at Pecha Kucha night on Nov. 12 at the Shelburne Museum.
(posted January 2016)
Brian D Collier, associate professor of art, will be part of a panel discussion, “The Working Land,” at Shelburne Museum, Pizzigalli Center for Art & Education, on Oct. 10 from 10 a.m. to 4 p.m. The discussion will be an exploration of our historical, artistic, literary and personal relationships to place -- in conjunction with the special exhibition Eyes on the Land, developed in collaboration with the Vermont Land Trust. Noted scholars participating in the day’s discussions and gallery tour include: Dona Brown, Professor of History, University of Vermont; John Elder, Professor Emeritus, Middlebury College; Robert Thorson, Professor of Geology, University of Connecticut. Along with Brian, who is an artist, educator and re-naturalist whose projects manifest as public art works, exhibitions and multi-media presentations, other artist-panelists will be Cameron Davis (teaches painting, drawing, perspectives on making, and transdisciplinary courses on art, ecology, and community at the University of Vermont); Gowri Savoor (creates emotive environmental sculpture and works on paper); and Susan Abbott (whose oil and watercolor paintings examine the specifics and mood of place, especially the New England working landscape).
(posted September 2015)
Brian Collier, assistant professor of fine arts/art, had artwork exhibited in a show titled "Picture Books" at the Power Plant Gallery at Duke University from Sept. 9 - Nov 7, 2014.
(posted December 2014)
Brian Collier, assistant professor of art, had writing from his project "The Collier Classification System for Very Small Objects" included in The Object, a new book from MIT Press in the Whitechapel: Documents of Contemporary Art series. The book was edited by Anthony Hudek and the publication date was February 7, 2014. Brian also had images and text from his project "The Highway Expedition" included in Art and Ecology Now, a major new survey from Thames and Hudson Press. The book was edited by Andrew Brown and publication date was May 20, 2014. Brian also has been invited to create new work for an exhibition at the Shelburne Museum’s new Pizzagalli Center for Art and Education. The exhibition is tentatively titled "Eyes On The Land" and is a collaboration between the Vermont Land Trust and the Shelburne Museum. Brian is creating his art work based on a year-long investigation of the Pine Island Farm in Colchester, VT which houses the Vermont Goat Collaborative alongside ecological restoration activities in the Intervale. The exhibition is scheduled for summer 2015.
(posted August 2014)
Brian Collier, assistant professor of art, had his work was featured in the exhibition, "Curios & Cuiosities: Interpreting the Natural & Cultural Worlds" at the Bush Barn Art Center in Salem, Oregon, from January 17 to February 22 of 2014. Also, Brian is the cover artist and has a text and image piece published in Mandorla: New Writing from the Americas, #16. And, his work is included in the forthcoming book (March 2014), The Object from MIT Press: https://mitpress.mit.edu/books/object
Brian’s work also is included in the forthcoming book (May-June 2014), Art & Ecology Now from Thames and Hudson Publishers. (March 2014)
Brian Collier, assistant professor of fine arts/art, and his project "Roadkill Shrines" has been written about in a new book by Jane Desmond from the Routledge Studies in Anthropology series (Routledge Press), titled Environmental Anthropology: Future Directions, published on June 4, 2013. The author's writing about Brian's work appears on pp. 50-53 and includes one of his photographs from that project. Also, Brian was featured artist for a September show by Burlington City Arts (BCA), a high-profile show for the region and state. The first event for the statewide, multi-faced show was September 6, with BCA opening reception to be held September 27. The show is curated by DJ Hellerman, a new art instructor for Saint Michael's.
Brian Collier, assistant professor of art, currently has an exhibit showing at Friends Academy in Locust Valley, NY. His exhibition "Very Small Objects/ Selective Unveiling" runs through April 13, and the opening reception was February 8. Brian's work at Friends Academy was being shown in conjunction with that of Elrie Joubert, the 2010 winner of South Africa's most prestigious art competition, The Absa L'Atelier, which rewards young artists between the ages of 21 and 35 to develop their talents abroad. On April 5, an exhibit opened at New City Galerie on Church Street in Burlington titled "Ecologies," with Brian the featured artist for the Downtown section of Art Map Burlington.
Brian Collier, assistant professor of fine arts/art, was invited as a presenter for Pechkucha Night (PKN) at the Fleming Museum of Art in Burlington on September 13, 2012. PKN is a worldwide phenomenon that began in 2003 in Tokyo and now is held in more than 550 cities around the globe. It offers the opportunity for a broad range of participants to present their designs, projects, thoughts, and ideas at a fun, informal, and fast-paced gathering. Brian was one of 10 presenters at the Fleming PKN. He talked about programs and projects he has been part of as founder and president of the Society for a Re-Natural Environment.
Artist/assistant professor, Brian Collier, who has created art installations at venues in museums, libraries and big box stores around the world, is installing his participatory exhibition, "The Collier Classification System for Very Small Objects," subtitled, A New Taxonomy and Catalogued Collection, in Durick Library, April 27 to October 15.
Professor Collier will give an artist's talk about the exhibit, titled, "Locating, Naming and Displaying Very Small Objects," on Friday, April 27, at 4:30 p.m. in the Durick Library, Room 115. An opening reception for the show will be held on April 27 from 4 p.m. to 6 p.m. in the Durick Library Room 115.
The Collier Classification System, invented by Brian Collier, provides tools "to intimately explore and apply order to the micro-detritus of an intimate landscape." The artist has provided a fascinating array of objects and explanations of how to participate in the collection process at his remarkable website: http://verysmallobjects.com/
Public invited to explore "the very small"
"Our intimate daily landscape is filled with a vast universe of disorganized, unnamed and often overlooked very small objects," Professor Collier wrote. "Hidden within this chaotic muddle are objects of wonder and beauty that, when noticed, can deepen our experience of the spaces we inhabit." The professor was thus inspired in 2004 to invent The Collier Classification System for Very Small Objects.
Definition of "the very small"
Professor Collier has used his system to create a Master Collection which has been exhibited nationally and internationally. He invites the public to enter the exploration for understanding "the world of the very small" by visiting the exhibit and by using the Collier System to collect and name Very Small Objects. Professor Collier defines a very small object as "any once living or never living thing big enough to be seen by the naked eye but no larger than 8mm x 8mm x 20mm. No living thing may ever be collected or named using this classification system except when the specimen is a small part or fragment that may be collected using a method that causes no significant harm to the larger organism."